Paddock Pass — Original Motorcycle Art
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Motorbike Canvas Prints

Canvas gives motorcycle art a different presence: no glass, no glare, a surface with texture that suits painterly skies and heavy ink alike. Each motorbike canvas is printed to order and hand-stretched over an FSC-certified wood frame, arriving ready to hang - no framing needed.

The Great Roads landscapes - Applecross Pass, North Coast 500 - were made for this format, and the bold racing posters carry across a room on it. Two sizes: 30x40cm for shelves and small walls, 50x70cm as a statement piece.

Your own bike works on canvas too: the Paint Shop turns a photo into oil-painting or watercolour style art that genuinely belongs on the material.

Applecross Pass

Applecross Pass

No. 01

A lone rider crests the Bealach na Ba at dawn - hairpins stacked below, the sea loch silver behind. From the Great Roads series.

from £24

Hardknott Pass

Hardknott Pass

No. 02

Lakeland's steepest tarmac in slate green and low cloud - one rider, one in three, no guardrail. From the Great Roads series.

from £24

Cat and Fiddle

Cat and Fiddle

No. 03

Golden hour on the moorland sweepers between Buxton and Macclesfield - the corner that never ends. From the Great Roads series.

from £24

North Coast 500

North Coast 500

No. 04

A coastal cliff run through sea haze on Scotland's far edge - the long way round, the only way. From the Great Roads series.

from £24

Snake Pass

Snake Pass

No. 05

Autumn larches make a copper corridor of the A57 - one headlamp threading the long shadow. From the Great Roads series.

from £24

The Ton

The Ton

No. 06

A crouched racer drawn in a single unbroken ink line - a hundred miles an hour in one stroke. From the Cafe Racer ink series.

from £24

Kickstand and Coffee

Kickstand and Coffee

No. 07

A cafe racer at rest, kickstand down, steam rising from a cup on the seat - ink line on warm cream. From the Cafe Racer ink series.

from £24

Clip-Ons

Clip-Ons

No. 08

Front-quarter study of low bars and a long tank in three line weights - the racer's crouch, distilled. From the Cafe Racer ink series.

from £24

Two Up

Two Up

No. 09

A couple on a classic twin drawn in one flowing stroke - two helmets, one line, all road. From the Cafe Racer ink series.

from £24

Last Orders

Last Orders

No. 10

A parked bike outside a late-night cafe, one neon accent in an ink-on-cream night. From the Cafe Racer ink series.

from £24

Coast Road Grand Prix

Coast Road Grand Prix

No. 11

A fictional 1962 seaside road race in art-deco poster style - leaning machines, salt air, bunting in the wind. From the Race Day series.

from £24

The Mountain Course

The Mountain Course

No. 12

An imagined island road race climbing through deco-styled peaks - the climb, the cloud, the drop. From the Race Day series.

from £24

The Sprint

The Sprint

No. 13

Flag drop at a standing start - speed lines and grit in a vintage race-poster palette. From the Race Day series.

from £24

Paddock Morning

Paddock Morning

No. 14

Mechanics around a bare racing machine before the off - quiet, cold, all promise. From the Race Day series.

from £24

Night Trophy

Night Trophy

No. 15

A headlamp beam carving a dusk corner, marshal lamps strung above - the day's last race. From the Race Day series.

from £24

The Cafe Racer - Study

The Cafe Racer - Study

No. 16

Annotated side elevation of the cafe racer archetype in blueprint cyan - clip-ons, rearsets, humped seat, drawn to plan. From the Machine series.

from £24

The Scrambler - Study

The Scrambler - Study

No. 17

High pipes and knobbled tyres in mud-flecked ink linework - the bike that never asked for tarmac. From the Machine series.

from £24

The Bobber - Study

The Bobber - Study

No. 18

A hardtail silhouette in heavy black ink - everything removed except intent. From the Machine series.

from £24

The Adventure - Study

The Adventure - Study

No. 19

A fully loaded tourer in fine technical line - panniers, spare fuel, and ten thousand miles of margin. From the Machine series.

from £24

The Classic Single - Study

The Classic Single - Study

No. 20

A 1950s-style single-cylinder thumper with an exploded engine inset - the simplest engine that ever sang. From the Machine series.

from £24

The Paint Shop

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Common questions

How are the canvases made? +

Printed on poly-cotton canvas with pigment inks, hand-stretched over an FSC-certified wooden stretcher frame, ready to hang out of the box.

Which size canvas should I pick? +

30x40cm sits happily on a shelf or small wall; 50x70cm reads across a living room. Measure the wall and leave a hand-width of space around the canvas.

Canvas or framed print - which is better? +

Canvas for texture and no glare; framed paper for crisp line detail behind glass. Ink drawings shine framed, landscapes shine on canvas.

More collections: Motorbike Posters · Framed Motorcycle Prints · The Great Roads Series

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